【#CineFan】英瑪褒曼:《羞恥》、《婚姻暗流》 Bergman: SHAME and SCENES FROM A MARRIAGE
?相愛相親只是一瞬,相怨相憎卻是一世。作為褒曼的繆思、拍檔與情人,#莉芙烏曼 自當體會更深。外面漫天烽火,夫婦內戰在家迸發:出賣自己、背叛彼此,在羞恥中同坐一船苟且偷生;來到安逸盛世,表面模範夫妻的暗湧更暴現:怨恨、叱罵、打鬥……抑壓十年的愛恨交纏失控爆發。烏曼在《#羞恥》及《#婚姻暗流》(五小時電視足本)表現感情轇轕的愛與痛,直入心脾。
?️在6月10日的座談會,影評人朗天及王勛提出獨到的欣賞觀點:「從心理分析角度,褒曼電影驟看呈現戀母弒父情結,但真正核心可能剛好相反─他對上帝沉默的質疑,其實是對父權的仰望,渴求父愛的表現。」
?“We make each other alive; it doesn't make a difference if it hurts.” #IngmarBergman sees all relations are based on a heap of wretched compromises. As his muse, working partner and lover, #LivUllmann knows t...Read more
?電影節請人??Temporary Marketing Assistant (2.5 months) ☀️如果你今個夏天有興趣加入電影節,一齊籌備 #夏日國際電影節 ,即上以下網頁查看詳情啦! . ?We’re hiring a temporary marketing assistant! ☀️If you are interested in working with us for the #SummerIFF2018, click the link below for details.
?http://www.hkiff.org.hk/society/#/AboutUs/jobOpportunities
【#CineFan】《密探霹靂火》、《雌雄大盜》?? THE FRENCH CONNECTION and BONNIE AND CLYDE
單單兩場戲,已令這兩部警匪經典非看不可:在《#密探霹靂火》中,影帝真赫曼飾演的失控幹探為求緝兇,瘋狂飛車與火車鬥快,一場七分鐘追逐戰在街頭實景拍攝,橫衝直撞驚險連場令人血脈沸騰;在《#雌雄大盜》中,華倫比提與菲丹娜蕙飾演的賊公賊婆無法無天終於窮途末路,最後一幕槍林彈雨的洗禮,令血腥場面昇華至浪漫暴力美學。✨6月10日及16日場次,分別由影評人張偉雄及登徒主講,為你分析這兩部修復後再現銀幕的經典,如何在影史上創造傳奇。
Two iconic scenes alone are sufficient to make these restored classics must-sees: In THE FRENCH CONNECTION, Oscar Best Actor Gene Hackman and Best Director William Friedkin thrill audiences with what is still one of the most hair-raising car chase sequences ever filmed; wherea...Read more
【#CineFan】臉部特寫,是 #英瑪褒曼 獨樹一幟的影像表現手法: 「?️我是窺視者,看一個人,找出其皮膚、眼眸、嘴唇以至所有肌肉的變化,對我來說都是戲劇。」這個週末開始,趁英瑪褒曼百年回顧展重溫經典、參與座談會,窺探一張張臉孔背後的情感與靈魂。 ?️‘I am a voyeur. To look at somebody, to find out how the skin changes, the eyes, and how all those muscles change the whole time – the lips – to me it’s always a drama.’ – #IngmarBergman To discover his characters’ souls that lay beneath the intense close-ups, join us for the Bergman screenings and seminar this weekend.
?️ 節目詳情 Details: http://cinefan.com.hk/
【#CineFan】英瑪褒曼:《處女之泉》、《狼的時刻》 Bergman: THE VIRGIN SPRING and HOUR OF THE WOLF
對於受《#羅生門》啟發的《#處女之泉》,英瑪褒曼雖謙稱是「對黑澤明作品的拙劣模仿」,但電影對暴力、謊言及人性的叩問,堪與《羅生門》並駕齊驅,對宗教的深刻反思,更是褒曼獨樹一幟的哲學,榮獲奧斯卡最佳外語片。對於藝術家的永恆孤寂,褒曼自有深刻體會,在《#狼的時刻》透過畫家徹夜難眠,經歷思憶折騰與群魔纏繞,將自身的童年夢魘與魑魅心魔赤裸呈現。✨??♂️6 月10日設座談會,由影評人朗天及王勛主講,剖析大師在藝術與人生的彷徨與掙扎。
Bergman called it “a lousy imitation of Kurosawa,” yet the #RASHOMON-inspired THE VIRGIN SPRING, winner of Oscar Best Foreign Language Film, is hailed as a masterpiece for its profound exploration of violence, deception and humanity on par with the Japanese classic...Read more
【#CineFan】《第七封印》、《野草莓》、全新紀錄片《尋找英瑪褒曼》 THE SEVENTH SEAL, WILD STRAWBERRIES and SEARCHING FOR INGMAR BERGMAN
「這是關於死亡的惶恐,令我從死亡的恐懼中解脫出來。」英瑪褒曼談及拍攝《第七封印》的原因,與同年拍攝的《野草莓》同出一轍。☠️⚔️死神公然現身與騎士對奕,並揮舞鐮刀以「死亡之舞」帶領凡人走向黑暗之地;死亡預兆攸然襲夢,一把將老教授拉進棺木,令他無從迴避生命的蒼白空洞。同被譽為完美之作,分別摘下康城評審團特別獎及柏林金熊獎。?欲了解褒曼及其觸動靈魂深處的電影,不容錯過瑪嘉烈特馮佐妲剛於康城登場的全新紀錄片《尋找英瑪褒曼》,免費入場。?
“It’s about the fear of death. It freed me from my own fear of death,” Bergman spoke of why he made THE SEVENTH SEAL. For the same reason he made WILD STRAWBERRIES in the same year. ☠️⚔️The two timeless masterpieces depict death in th...Read more
?1926年今天出生的 #瑪莉蓮夢露,去世30多年仍是性感的象徵。在電影《七年之癢》裡,她雙手輕掩被風吹起的白裙,固然經典。除此之外,她還留下不少出色的喜劇,包括 #夏日國際電影節 曾選映的《熱情如火》?和《紳士愛美人》??♀️,前者在2000年更被美國電影學院選為百年百大喜劇第一位呢~✨
?Happy birthday to the legendary actress #MarilynMonroe who would be turning 92 today! Despite having passed away at just 36-years-old, she remains to this day the icon of Hollywood glamour, leaving behind a legacy of great comedies, including SOME LIKE IT HOT? (#1 in AFI’s “100 Years…100 Laughs in 2000) and GENTLEMEN PREFER BLONDES??♀️, both have been showcased in #SummerIFF. Her aesthetics and brilliant performan...Read more
?You've got to ask yourself one question. "Do I feel lucky?" Well, do ya, punk? 這句出自《辣手神探奪命鎗》的經典對白,無人會比 #奇連伊士活 說得更有味道吧!這位著名美國演員兼導演今日88歲啦~由60年代的西部牛仔(?「獨行俠」三部曲)到70年代的勇探,其硬漢形象深入民心。演而優則導,更憑《豪情蓋天》和《擊情》兩度獲得奧斯卡最佳導演殊榮。永不言休,他說只要觀眾想聽他說故事,他就會繼續拍電影。 ??想一睹奇連伊士活的英雄風采,萬勿錯過今期Cine Fan的《辣手神探奪命鎗》。詳情:http://cinefan.com.hk/
?You've got to ask yourself one question. "Do I feel lucky?" Well, do ya, punk? Nobody says this better than #ClintEastwood, who turns 88 today. The American actor-director-produce...Read more
【#CineFan】高畑勳─詩畫人間 Remembering Isao Takahata
高畑勳走了,但感覺他從未離開。在《#再見螢火蟲》,看小兄妹在戰爭中絕望痛苦,眼淚依舊汨汨流下;看《#歲月的童話》??,成長點滴又上心頭,甜酸苦辣五味紛陳;?《#百變狸貓》裏看狸貓們出盡法寶裝神扮鬼,終究難保家園,笑中帶淚;????《#隔壁的山田君》也真箇像你我的隔離鄰舍,平凡家事引人會心微笑;?《#輝耀姬物語》的月亮仙子下凡,也像跟她一起於夢境飛翔,同喜同悲。高畑勳雖已隨輝耀姬重返天家,但他如詩似畫的動畫傑作將永遠留在人間,陪伴我們,繼續尋夢。 ?️ 節目詳情:https://bit.ly/2G3uc6e
Isao Takahata is gone, yet he has never left us. Every feeling he brought to us is still alive: the tears we shed when watching the two children perish in GRAVE OF THE FIREFLIES; the mixed emotions of ...Read more
【#CineFan】《輝耀姬物語》新增映後談‼️ Post-screening Talk Added‼️
好消息!《#輝耀姬物語》6月18日在大館放映的場次將增設映後談,由知名影評人 #登徒 主講,為你分析這部獲奧斯卡最佳動畫長片提名的高畑勳最後傑作,如何展現大師非凡的藝術造詣,並映照他參透人生悲歡離合的禪思。 ?️ 詳情:https://bit.ly/2JifZbm
A post-screening talk by critic Thomas Shin is added to THE TALE OF THE PRINCESS KAGUYA on 18 June at Tai Kwun. The talk will be conducted in Cantonese. ?️ More info: https://bit.ly/2J5mVFo
Hong Kong International Film Festival