I have been trying to think about what it is about Hong Kong that I like so much. The heat and humidity is nearly unbearable, the streets have cockroaches, the people generally rude, fake and obnoxious, people butt ahead in cues, and the mentality of most are oriented to money, self-gain and image. People judge you on your looks and what you wear, where you live and if you're sporting the latest technotronic gadget. To survive here is probably one of the hardest and toughest of cities in the world. It is not forgiving. My cousin had a secret bet that when I moved here from Canada, that I wouldn't make it past one year. As of this year, I have been in Hong Kong for 13 years. I still find this city one of the most energetic and exciting places to live and work as an artist. No, I don't have a harbour view out of my flat and I don't earn the big bucks (that I'd like). I took a major drop in revenue after making the shift from architect to artist-photographer. What's more, I started working as a bar-tender and did Tarot readings on the side-line. Do I have any regrets? and did Hong Kong let me down? The answer of course is no. Hong Kong in fact gave the opportunity to do things I never would have done if I were in any city. So long as you're willing to give it a shot? and do your best, people will give you chance at nearly anything. I tell this to anyone I meet now that has a passion for something. But here is the underlying problem with many people I meet: they don't have a clue as to what they are passionate about. They ponder the street and wonder why they can't find a job. I don't know if it's because of lack of ambition, or no need for money. But it is true, I know some people who do not have any need for money because their taken care for. Perhaps that is the clincher. For me, and here I digress a bit. One of the primary reasons I create what I create and photograph what I do is because I see the VALUE of what I'm doing not just from a creative point of view, but also from a financial point of view. I see my work as also a dollar sign. Without the drive to see it's inherent returns, I don't think I would be doing it. I'd be pursuing other avenues to create things for money. The main difference in what I create however, is that I find personal reward from the creation of the photograph, drawing or painting. And in addition, I fine personal satisfaction when I see that someone who has purchased my work, happiness and elation. I recall my first sale of a graphite drawing when a man came up to me and asked for permission to have my drawing. It was the most strange request. I said, do you mean, buy it? He nodded. It was no ordinary purchase, from no ordinary man, and no ordinary drawing. The drawing was entitled ONE, and remains the most pivotal piece of artwork to date. It was pure unequivocal Spirit. So where, where does this creative energy surface from? True, it does come from within, in my mind, my Spirit, my energy, but it also derives its energy from the surroundings, from the people, from the mountains and waters that flow in the Fragrant Harbour, from Hong Kong. The energy is not quiet, and it demands release and attention. The city can vivify or it can suck it from you, leaving you dry and vacuous.
Never in my dreams as a little child did I ever think I would come to live, work and play in Hong Kong. Born in Canada to Chinese parents, I moved here in 1994