希治閣──黃金時代：火車怪客、後窗

改編海史密斯的經典原著，希治閣將《火車怪客》創新調配成犯罪驚慄電影經典。新晉政客與富家子在火車偶遇，提出殺妻方案，互相幹掉對方的絆腳石，以避過警方追查。淡淡的基味滲透撲朔迷離的懸疑佈局，可愛的旋轉木馬變成最可怕的驚慄場景，希翁的氣氛營造獨步天下。

《後窗》是希治閣個人最愛，亦公認是最扣人心弦的作品之一。新聞攝影師因為斷腳留家養傷，偷窺鄰居過日辰之際發現神秘謀殺案。希治閣將觀眾的視點限制於窗前，真相有如迷宮。男主角的望遠鏡頭代表所有電影觀眾的窺淫癖，令你目眩神迷的除了別人私隱，還有嘉麗絲姬莉的花容月貌與亮麗時裝。

《火車怪客》: http://cinefan.com.hk/cms/film/strangers-on-a-train/?lang=zh 《後窗》: http://cinefan.com.hk/cms/film/rear-window/?lang=zh

Alfred Hitchcock -- The American Years: STRANGERS ON A TRAIN and REAR WINDOW

Based on the 1950 novel by Patricia Highsmith, Hitchcock turns STRANGERS ON A TRAIN into a psychological crime thriller in the tradition of film noir. Two men who meet on a train decide to exchange murders, thereby having no connection to the victims. One of Hitchcock’s most disturbing films nevertheless manages to offer up ample amounts of gay overtones and gallows humor while creating a perfect crime.

Hitchcock’s hugely influential classic, REAR WINDOW is a delicious tribute to voyeurism and cinema and it remains one of his most famous films. A war photographer confined to a wheelchair in his Manhattan apartment spies on his neighbors with binoculars, and soon suspects one neighbor has murdered his wife. Hitchcock lets the audience play Peeping Tom, fascinated by intruding into people's privacy as well as enchanted by the beauty of Grace Kelly.

STRANGERS ON A TRAIN: http://cinefan.com.hk/cms/film/strangers-on-a-train/ REAR WINDOW: http://cinefan.com.hk/cms/film/rear-window/