希治閣：蝴蝶夢

純真少女鍾芳婷邂逅富有紳士羅蘭士奧利花，躋身豪門，方知現實真相超乎想像。丈夫前妻死因如謎，陰影無處不在，女管家的敵意更難消受。希治閣赴美發展首作《蝴蝶夢》即技驚四座，善用黑色電影風格，借景烘托氣氛，拍出原著的心理驚慄色彩，摘下奧斯卡最佳影片及攝影獎。

在1月15日的希治閣座談會，講者劉嶔、鄭宇成談到希治閣開創獨特的電影語言，巧妙運用鏡頭景深以及空間開拓炮製懸疑，令觀眾代入角色，體驗危險情人的驚心動魄以及好人被冤枉的孤獨無助。

《蝴蝶夢》：http://cinefan.com.hk/cms/film/rebecca/?lang=zh

Alfred Hitchcock: REBECCA

Hitchcock stunned American audiences with his first Hollywood project REBECCA, bringing in his iconic enigma of a whirlwind romance turning into a murder suspense. Chilling elegance prevails as the innocent Joan Fontaine, after marrying a brooding rich widower, finds the ghost of his ex-wife still dominates the twisted lives at Manderley. The film garnered the Best Picture and Best Cinematography awards at the Oscars.

In the seminar on 15 Jan, critics Lau Yam and Cheng Yu Shing stated that Hitchcock established his distinctive style by using point-of-view shots and dramatic use of space to create his enigmas of suspense. Audiences are compelled to experience the complicated emotions with his dangerous lovers and the solitude as his wrong man.

REBECCA: http://cinefan.com.hk/cms/film/rebecca/

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