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官方艺术家
香港国际电影节
Arts Organization
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?【#電影節發燒友】征服電影! ?? [#CineFan] Conquer Film! 征服電影,或被電影征服!二、三十年代的德意志,左翼影人受蘇維埃社會主義革命成功的激勵,以「征服電影!」為口號,承襲蘇聯蒙太奇理論的影像經營策略,致力實踐媲美紀錄片真實影像的寫實主義。《#編織工人》寫一場反減薪抗剝削的工人起義,《#克勞澤大娘升天記》則以老媽與子女在貧民窟的生活,拍出無產階級電影的傑作。修復經典重現二十世紀紅色夢工場的光輝傳奇,銀幕罕見。11月4日設映前簡介,由慕尼黑電影博物館館長施德芬德羅斯勒英語主講。 《編織工人》:http://cinefan.com.hk/zh-hant/movie/the-weavers/ 《克勞澤大娘升天記》:http://cinefan.com.hk/zh-hant/movie/mother-krauses-journey-to-happiness/

Conquer film, or be conquered by film? Fueled by the success of revolutionary Russia, post-war German filmmakers saw films as weapons in ongoing struggles, where ideologies were expressed by powerful stories that became parables of suffering and redemption. Even today, it’s still striking to see the urban working class fighting against oppression in THE WEAVERS, and the tragedies of people’s lives being ruined by drink, prostitution and despair in MOTHER KRAUSE’S JOURNEY TO HAPPINESS. These restored classics give a rare opportunity to apprehend the leftist vision of an era. Stefan Droessler, Director of Munich Film Museum (Filmmuseum München), will give an introduction before the screening on 4 Nov. THE WEAVERS: http://cinefan.com.hk/movie/the-weavers/ MOTHER KRAUSE’S JOURNEY TO HAPPINESS: http://cinefan.com.hk/movie/mother-krauses-journey-to-happiness/

theweavers #motherkrausesjourneytohappiness #germancinema Goethe-Institut Hongkong

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Hong Kong International Film Festival

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语言
English,Cantonese,Mandarin
位置(城市,国家)以英文标示
Hong Kong
加入的时间
March 18, 2009
性别
Male