?【#電影節發燒友】電影大師論布烈遜

羅拔布烈遜 是最受影壇尊重的電影大師之一，法國新浪潮皆奉為圭臬，對全球電影人亦影響深遠。一眾名導對他的獨特風格和技藝無不心悅誠服，推崇備至：

奧利維亞阿薩耶斯：「有不少導演我都很仰慕，但布烈遜是獨一無二的。他令我忠於電影的使命；在灰心氣餒時，他提醒我電影可以有多偉大。如沒有他，我不認為自己會拍電影，就算拍也肯定會不一樣。」

馬田史高西斯：「布烈遜創造了影史上最扣人心弦的場面：《扒手》中的主角在馬場失手被捕；《聖女貞德的審判》中的貞德被綁在火柱活活燒死；《錢》中的最後殺戳。」

塔可夫斯基：「布烈遜是少數藝術家能將電影提昇至與詩歌、文學、繪畫與音樂等傳統藝術等同的層次。」

蘇珊桑塔格：「布烈遜的感性，有別於浪漫的濫調，是鄭重莊嚴的。他拒絕流於感官的外在美，而是追求更恆久、更深邃、更真摰的心靈觸動。」

想一睹大師中的大師之風采，不容錯過Cine Fan的布烈遜回顧展。 http://cinefan.com.hk/zh-hant/period/current-programme-zh-hant/may-jun-jul-2017-programme-zh-hant/

?【#CineFan】Filmmakers on Bresson

RobertBresson has become a patron saint to filmmakers of the French New Wave, and his works are sources of inspiration to many important contemporary directors:

OlivierAssayas: "There are a lot of filmmakers I admire. ...But Bresson is, for me, in a category of his own. He is what keeps me faithful to what cinema can achieve. In moments of discouragement, he reminds me how great films can be...And I don't think I would be making films if not for him, or certainly not the same films."

MartinScorsese: "He's created some of the most breathtaking set-pieces in cinema - the pickpockets at the racetrack in PICKPOCKET; Joan's burning at the stake in THE TRIAL OF JOAN OF ARC; the final massacre in L'ARGENT."

AndreiTarkovsky: "Bresson is one of the artists who has shown that cinema is an artistic discipline on the same level as the classic artistic disciplines such as poetry, literature, painting and music."

SusanSontag: "Bresson's sensibility is antiromantic and solemn, pledged to ward off the easy pleasures of physical beauty and artifice for a pleasure which is more permanent, more edifying, more sincere."

Enchanted by what these renowned filmmakers say about the auteur? Take the opportunity to watch the retrospective on Bresson's works at Cine Fan! http://cinefan.com.hk/period/current-programme/may-jun-jul-2017/