?【#電影節發燒友】安東尼奧尼：《無限春光在險峯》、《過客》 ?[#CineFan] Antonioni: ZABRISKIE POINT and THE PASSENGER

好戲在後頭，#安東尼奧尼 將最震撼的經典鏡頭，都留到最後：《無限春光在險峯》的躁動青年對戰爭、政治、社會、人生的反叛，到片末來個了斷 — 別墅爆炸場面的慢鏡蒙太奇，把美國資本主義炸個稀巴爛，堪稱史上最具逼力的批判性鏡頭之一；《過客》的記者企圖換掉身份拋棄過去，安氏則以穿梭死亡和背叛的七分鐘長鏡頭為其人生作結，精巧糅合了敘事、意象和美學建構，令人歎為觀止，早成經典傳誦一時。 ? 《無限春光在險峯》：http://bit.ly/2mKP0Yz ? 《過客》：http://bit.ly/2mPZ5EI

“To make an end is to make a beginning.” #Antonioni leaves us with unforgettable ends where we can start from: in ZABRISKIE POINT, he offers us an explosive look at America - a model home perched on a mountain is blown up into pieces in a protest against the capitalistic state; in THE PASSENGER, the seven-minute long-take finale that creates a sense of spiritual longing in an existential void remains one of the most breathtaking endings in cinema history. ? ZABRISKIE POINT: http://bit.ly/2DlM6ol ? THE PASSENGER: http://bit.ly/2BaKGaj

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