【#CineFan】高畑勳：《再見螢火蟲》、《歲月的童話》 Isao Takahata: GRAVE OF THE FIREFLIES and ONLY YESTERDAY

影評人李焯桃：「從《歲月的童話》及《再見螢火蟲》看來，#高畑勳 的寫實手法在經營環境細節及動作實感方面固然成就不凡，更不宜忽略的是他超脫表層寫實的功力。兩片結局那種主客觀交融、現實與精神世界合一的境界，證實了動畫完全可以進入深刻藝術的殿堂。」

Critic Li Cheuk-to: “From GRAVE OF THE FIREFLIES and ONLY YESTERDAY, we see that #IsaoTakahata’s remarkable achievements lie not only on his accurate, nuanced depictions of landscapes and movements, but also on his extraordinary ability in transcending beyond surface realism. The perfect blend of subjectivity and objectivity, and the harmony between physical and spiritual worlds that exist in his film endings demonstrate that animation is well justified as a serious art form.”

?《#再見螢火蟲》GRAVE OF THE FIREFLIES: https://bit.ly/2t9qdS9 ❤️《#歲月的童話》ONLY YESTERDAY: https://bit.ly/2ldnB1