8米厘狂熱：話多多二人幫、愛之街角2丁目3番地

《話多多二人幫》深受法國新浪潮啟蒙，恰如高達「斷了氣」的「狂人彼埃洛」闖進了日本，青年男女偷車偷錢又誤殺了人，要展開大逃亡，導演諏訪敦彥一邊講故事，一邊又透過「話多多」的角色自我質問，打破第四面牆，豈止雌雄大盜咁簡單？

平野勝之是粉紅映畫與AV名導，年少時的8米厘影片《愛之街角2丁目3番地》迸發出超強熱情與獨特力量，反轉秩序，叛逆顛覆到底，園子溫客串演出，當年參加PIA比賽，松本俊夫選了它做第一，評審大島渚亦激讚，認為它「拍出的悲痛情感，滿溢至崇高境界」。

《話多多二人幫》：http://cinefan.com.hk/cms/film/hanasareru-gang/?lang=zh 《愛之街角2丁目3番地》：http://cinefan.com.hk/cms/film/happiness-avenue/?lang=zh

Hachimiri Madness: HANASARERU GANG and HAPPINESS AVENUE

PIERROT LE FOU in Japan? Director Suwa Nobuhiro was obviously inspired by the French New Wave since ripples of Godard and Resnais are everywhere apparent in HANASARERU GANG. A young man and a young woman are on the run after they killed the wrong man. As the characters break the fourth wall, you'll know that you're in for a treat.

Director Hirano Katsuyuki was famous for his porno flicks in Japan, but he made HAPPINESS AVENUE when he was 22. The anarchic youthful energy in the film is so charming and apparent that proves he has always been a social and sexual rebel. When this film was shown in Japan's PIA Film Festival, both Matsumoto Toshio and Oshima Nagisa praised it for its emotional intensity.

HANASARERU GANG: http://cinefan.com.hk/cms/film/hanasareru-gang/ HAPPINESS AVENUE: http://cinefan.co m.hk/cms/film/happiness-avenue/