利維特的神秘國度：日月女神、公主復仇記

《日月女神》以神話開篇，受四十年代荷里活經典黑色電影啟發，當中還可以找到不少對尚高克多作品的呼應。《公主復仇記》則有部份受費立茲朗《魔窟梟雄》啟發，班納娣拉芳（《母親與妓女》）中性演繹海盜王，謝拉婷卓別靈（差利的女兒）為遇害愛人復仇，與潔卡麥嫻（《兩個英國女孩與歐陸》）裡應外合殲滅海盜幫，在荒島和古堡上，來一場別開生面的電影實驗。

在9月18日的映後談中，劉偉霖談到《日月女神》在利維特的導演生涯中有着獨特重要性，因這是他首次夥拍攝影師William Lubtchansky，影片無論構圖及影機運動也比以前精緻流麗，色彩亦更豐富，利維特自此找到屬於自己的畫面，二人此後三十年合作無間，包括勇奪康城大獎的《不羈的美女》。

《公主復仇記》10月1日場次設映後談，講者王勛。每次同時購買《日月女神》及《公主復仇記》之正價門票可享七折優惠。

《日月女神》：http://cinefan.com.hk/cms/film/duelle/?lang=zh 《公主復仇記》：http://cinefan.com.hk/cms/film/noroit/?lang=zh

Jacques Rivette: DUELLE and NOROIT

Originally conceived to be two parts in a tetralogy, DUELLE and NOROIT are Jacques Rivette's radical and fantastical gestures away from the world of his earlier films and towards a complete abstraction of cinema-making. Inspired by Jean Cocteau, DUELLE explores the mythologization of women as both goddess and actress of the cinema screen. NOROIT, on the other hand, is an anachronistic, pirate-themed revenge film inspired by Fritz Lang's MOONFLEET.

In the post-screening talk on 18 Sep, critic William Lau talked about DUELLE being the first collaboration between Rivette and cinematographer William Lubtchansky, which begins a long-lasting relationship that helps to improve on Rivette’s mise-en-scene and use of color, and also realises Rivette’s signature style to the screen.

30% discount is offered to each purchase of standard tickets of both DUELLE and NOROIT.

DUELLE: http://cinefan.com.hk/cms/film/duelle/ NOROIT: http://cinefan.com.hk/cms/film/noroit/

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