基阿魯斯達米:10重拾、雪馨
基阿魯斯達米親身授課,把影機放在車頭對準駕車的自己,像自製《10》的製作特輯。他講數碼拍攝的好處,探討電影的核心價值,更分段以攝影、主題、劇本、場景、音樂逐一講解。想偷師,千萬別錯過《10重拾》。
拍完自己,基氏把攝影機反轉過來,鏡頭瞄準戲院女觀眾,包括素顏的茱麗葉庇諾仙。她們在看12世紀的波斯劇三角戀《哥索與雪馨》,聲軌變成豐富畫外音,畫面捕捉的是演員想像電影喜怒哀樂的反應,徹底顛覆傳統觀影經驗。《雪馨》2月2日場次設映後談,講者小敏。
《10重拾》:http://cinefan.com.hk/cms/film/10-on-ten/?lang=zh 《雪馨》:http://cinefan.com.hk/cms/film/shirin/?lang=zh%20&lang=zh
Abbas Kiarostami: 10 ON TEN and SHIRIN
With a knowing, self-reflexive wink at his previous films, Abbas Kiarostami offers a master class in cinema with 10 ON TEN. With cameras fixed to the dashboard (as in TEN), the director discusses ten points on his own style of independent filmmaking. The carpool of a lifetime with a one-of-a-kind visionary.
An engrossing experiment, SHIRIN is composed entirely of women’s faces. Actresses are found in the audience of a surreal cinema space, watching a drama unfold out of view, and reacting to a 12th century Persian play that we can only imagine from the lush soundtrack. Don't miss the chance to experience these experiments in the cinema.
10 ON TEN: http://cinefan.com.hk/cms/film/10-on-ten/ SHIRIN: http://cinefan.com.hk/cms/film/shirin/?%20
Hong Kong International Film Festival