不正常麗莎、粉紅色殺人夜

《玩謝麥高維治》及《無痛失戀》編劇查理考夫曼，出道以來都以偏鋒黑色幽默側寫當代美國，這次就用定格動畫，挑戰觀眾戀物意識，不但安排公仔上演大膽床戲，更以奇招安排湯奴南一人聲演男女主角以外的所有角色。戲中酒店名字已明示主角的Fregoli妄想症，錯覺身邊所有人不論男女都是同一人的偽裝。絕對是近年難得一見的「不正常」動畫。

《粉紅色殺人夜》也有個心理病人，男主角失業、失戀，而且患幽閉恐懼症。白賴仁狄龐馬繼暴力經典作《疤面煞星》之後，回到最熟悉的驚慄片類型，再向希治閣致敬，彷彿將《後窗》、《迷魂記》等經典作解體再重組，甚至比希治閣再走前一步，大膽揭出男女各自的性愛執迷。

《不正常麗莎》11月12日場次設映後談，講者王勛。

《不正常麗莎》：http://cinefan.com.hk/cms/film/anomalisa/?lang=zh 《粉紅色殺人夜》：http://cinefan.com.hk/cms/film/body-double/?lang=zh

ANOMALISA and BODY DOUBLE

From the Academy Award-winning screenwriter of the idiosyncratic BEING JOHN MALKOVICH and ETERNAL SUNSHINE OF THE SPOTLESS MIND, Charlie Kaufman's ANOMALISA is an existential stop-motion animation that is emotionally complex and insightful about intimate human emotions. The film draws humor, pathos and humanity from the heartache and mundanity of everyday life, while employing an animated aesthetic the likes of which we have never seen on screen before.

After the ultraviolent classic SCARFACE, Brian De Palma again drives full-throttle into Hitchcock territory with BODY DOUBLE, an erotic thriller in which a Peeping Tom becomes the key witness in the murder of a nymphomaniac trophy wife. The film is De Palma's tribute to Alfred Hitchcock, but it also remains completely his own, coherent with his very own stylistic preferences and vision of filmmaking, which also makes it the quintessential De Palma film.

ANOMALISA: http://cinefan.com.hk/cms/film/anomalisa/ BODY DOUBLE: http://cinefan.com.hk/cms/film/body-double/